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Women Writing on Family: Tips on Writing, Teaching and Publishing Edited by Carol Smallwood and Suzann Holland The Key Publishing House Inc., Toronto, Ontario (2012) $27.99; 343 pp; ISBN: 978-1-926780-13-9 (Reviewed by Lisa Fraser) Writing about family is a time-honored activity for women, whether it is keeping a private diary, writing a family history, or [...]

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The New Clean

Published on 12/26/2011 by in book reviews

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By Jon Sands Write Bloody Publishing  (2011) www.writebloody.com $15.00; 120 pp; ISBN: 978-1935904267 (Reviewed by G. David, phati’tude Literary Magazine, Vol. 3, No. 1) JON SANDS’ RISE IN THE POETRY COMMUNITY in New York and beyond these past few years has been meteoric. Known primarily as a spoken word artist, he is also a poet, [...]

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By Anne Waldman Coffee House Press (2011) www.coffeehousepress.org $40.00; 720 pp.; ISBN 9781566892551 (Reviewed by Jennifer-Crystal Johnson, phati’tude Literary Magazine, Vol. 3, No. 2) SAYS ANNE WALDMAN IN THE OPENING of her book, Anew: “So poem is the song in spite of the will of Zeus. Blast him, and that willpower played out as it [...]

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By Runo Isaksen Interlink Pub Group (2008) www.interlinkbooks.com $18.00; 222 pp.; ISBN-10: 1566567300 (Reviewed by G. David, phati’tude Literary Magazine, Vol. 3, No. 3) WHILE AMERICAN LITERATURE COVERS an abundance of ethnic literatures and a myriad of social and political issues, the unifying factor is the English language. On the other hand, Israeli literature is [...]

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songs-love-war-bookcover

By Sayd Majrouh, Marjolijn de Jager (Tr) Other Press (2010)  www.otherpress.com $14.95; 128 pp.; ISBN-10: 1590513983 (Reviewed by Rebecca Kaye, phati’tude Literary Magazine, Vol. 3, No. 3) SONGS OF LOVE AND WAR: AFGHAN WOMEN’S POETRY is a collection of two-line poems — called landays — improvised and sung by thousands of anonymous female voices. The [...]

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Doppelganger

Published on 12/25/2011 by in book reviews

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A nameless old man who “carries his smell with him / Wherever his smell takes him,” the antihero of Henry’s latest collection stands as a stark rejoinder to the placid and revelatory monologues that are a commonplace of many male poets.

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